The National Gallery in London has announced six shortlisted teams for the design of a major expansion that will extend the museum into the St. Vincent House site, marking what officials describe as the most significant transformation in its 200-year history. The competition, launched in September 2025, received 65 submissions from international practices. Shortlisted proposals will shape a new wing intended to accommodate the Gallery's growing collection, welcome increasing visitor numbers, and redefine the public realm between Leicester Square and Trafalgar Square. The teams moving forward include Farshid Moussavi Architecture with Piercy & Company, Foster + Partners, Kengo Kuma and Associates with BDP and MICA, Renzo Piano Building Workshop with William Matthews Associates and Adamson Associates, Selldorf Architects with Purcell, and Studio Seilern Architects with Donald Insall Associates, Vista Building Safety, and Ralph Appelbaum Associates. The selected architect and wider technical design team are expected to be appointed by April 2026.

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This week's news reflects architecture's simultaneous engagement with cultural reflection, professional legacy, and the material realities of building cities. The passing of Frank Gehry prompted a broader reassessment of late 20th- and early 21st-century architectural practice, while Shigeru Ban's selection as the recipient of the 2026 AIA Gold Medal brought renewed attention to socially driven design and the profession's public responsibilities. These milestones unfolded alongside wider conversations sparked by Human Rights Day, examining architecture's role in equity, housing access, and safety worldwide, and forward-looking discussions setting the architectural agenda for 2026 through major international events and cultural programs. At the scale of the built environment, these themes are echoed in three projects shaping future urban conditions: Powerhouse Company's transformation of a former limestone quarry into a mixed-use neighbourhood in Bærum, near Oslo; the groundbreaking of Riverside Wharf, a hospitality-led development contributing to the regeneration of Miami's River District; and Foster + Partners' approved retrofit of 1 St James's Square in London, focused on structural retention and long-term urban resilience.

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Recent federal discussions in the United States regarding the reclassification of architecture as a degree that no longer carries professional standing have intensified the need to articulate the purpose and structure of accredited programs. These political conditions have produced a moment in which the internal coherence of architectural curricula intersects with broader questions on public welfare, technical accountability, and the ethical responsibilities that define professional expertise. Architectural education in the United States requires an examination that acknowledges its internal pedagogical logic and the external pressures that shape its contemporary reception.

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Where cities were once shaped by simple structures that could adapt to new uses, they are now packed with rigid dwellings—often designed with a single use in mind and fixed in both layout and lifespan. As climate deadlines tighten, communities demand more resilient, resource-conscious spaces, and work and living patterns continue to shift, this rigidity is becoming a liability. When buildings refuse to bend, they are often treated as disposable, triggering cycles of demolition, downtime, and loss. Adaptability, once considered an added convenience, is becoming an imperative—something the inaugural Adaptable Building Conference (ABC) in Rotterdam aims to put front and center.

Every year brings new ideas, projects, and shifts in architectural culture, but it also marks the loss of voices that have shaped the discipline across decades. Architecture moves forward, but it also advances through absence. When figures who helped articulate its language and its ambitions disappear, they leave behind more than completed works or influential texts. Their absence becomes a threshold, a moment in which the discipline pauses to understand what remains, what evolves, and what continues to guide us. These moments of loss remind us that architecture is a long, collective construction, carried not only by those shaping the present but also by those whose visions continue to orient how we think about cities and landscapes.

The architects and thinkers we lost in 2025 came from remarkably different worlds, yet the questions that shaped their work often intersected. Some approached the city through identity, symbolism, and historical continuity, seeking to ground the built environment in cultural memory. Others interpreted it through engineering precision, ecological systems, or radical experimentation, expanding what architecture could be and how it could be experienced. Their work spans contexts as diverse as postwar Britain, rapidly urbanizing China, Central European avant-gardes, and the evolving cultural institutions of Berlin and New York. Together, they form a spectrum of responses that defined, and continue to define, architectural culture over the last half-century, revealing the multiplicity of ways in which architecture can engage with society, technology, and the environment.

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Once confined to the aerospace and automotive industries, composite materials have taken on an increasingly central role in contemporary architecture. By combining two or more components, such as fibers and polymers, they offer lightness and strength, high durability, formal freedom, and enhanced environmental performance. Their incorporation into architectural practice marks a profound transformation in how we design, fabricate, and inhabit space.

As preparations advance for the Milano Cortina 2026 Olympic Winter Games, set to take place from February 6 to 22, 2026, this edition introduces one of the most geographically wide-ranging configurations ever implemented for the Winter Olympics. Extending across two cities, two regions, and two autonomous provinces, the competitions will be staged over more than 22,000 square kilometres of Northern Italy. Metropolitan venues in Milan are paired with longstanding Alpine centres in Cortina d'Ampezzo, Livigno, Bormio, Anterselva, and Val di Fiemme, creating a framework that bridges urban and mountain contexts. More than 90 per cent of the venues are existing or temporary facilities, reflecting a strategy centred on adaptive reuse, selective upgrades, and long-term integration into regional sport and cultural infrastructures. Nearly 2,900 athletes will compete in 116 events, including the debut of ski mountaineering and several new mixed-gender formats that signal evolving approaches to winter sports programming.

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Human Rights Day is observed annually on 10 December worldwide. It commemorates the anniversary of the Universal Declaration of Human Rights in 1948. Drafted by representatives with diverse legal and cultural backgrounds from all regions, the Declaration was proclaimed as a common standard of achievement for all peoples and all nations. For the first time, the document set out fundamental human rights to be universally protected and inalienable, entitling every human being to them regardless of race, colour, religion, sex, language, political or other opinion, national or social origin, property, birth, or any other status. Today, the Declaration serves as a global blueprint for international, national, and local laws and policies. Available in 577 languages, it is the most translated document in the world. The United Nations has set the theme for this year's observance as "Human Rights, Our Everyday Essentials," aiming to "reaffirm the values of human rights and show that they remain a winning proposition for humanity."

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The niche has been a space of visible intention throughout the history of architecture. In ancient Roman architecture, it served as a formal device carved into masonry to display statues, vases, or other objects. These recesses animated the walls of temples, bath complexes, and civic buildings, adding rhythm, depth, and focal points to otherwise massive structures. The interior spaces of the Pantheon framed statues of gods, and the Baths of Caracalla used similar voids to structure expansive halls. By the Renaissance, the niche evolved into a refined architectural frame. In Florence, the external cavities of Orsanmichele held guild-commissioned statues, while the Uffizi Palace's recesses displayed sculptural works. Whether filled or intentionally left empty, these openings articulated internal and external walls and facades, introduced hierarchy, and provided visual interest, serving as deliberate gestures meant to be seen.

Architecture has always played a key role in providing shelter and protection for human beings. In prehistoric times, we sought refuge in caves, taking advantage of rock structures for protection against the natural elements and predators. Over time, shelters began to be made from materials found in nature, such as branches, leaves, and animal skins, evolving into more permanent and complex homes, with walls made of stone, bricks or wood, roofs to protect against rain and sun, and doors to control access. As we developed more advanced building skills, we used materials such as wood, stone, and clay and architecture evolved significantly, with the construction of temples, palaces, and fortifications that provided not only shelter but also symbolized power, status, and cultural identity. Even so, our buildings can continue to be seen as shells that protect us from the outside world. 

From the massive stones of Greek temples to glazed skyscrapers, we work with a range of possibilities and thicknesses to separate what we consider internal and external. This article seeks to explore this diversity of thicknesses in architecture, from simple materials to complex construction techniques, highlighting how this variation not only provides protection but also influences our perception and interaction with the built environment.