Trahan Architects has just completed the USA Pavilion for Expo 2025 Osaka-Kansai in Japan. As the public opening date, April 13, approaches, the USA Pavilion is finalizing preparations to host visitors. During the six-month expo, the proposal aims to showcase American architecture, innovation, culture, and industry. The display will be focused on celebrating contemporary American achievements in various fields, featuring exhibitions focused on sustainability, space exploration, education, and entrepreneurship.
Symbiosis, a Prototype for Living and Working. Image Courtesy of contexo
The future of urban life is increasingly being imagined as collective, layered, and adaptable. As cities grow denser and the boundaries between work, home, and leisure blur, architects are rethinking the traditional notion of residential living, shifting from isolated units to integrated, community-driven environments. This collection of unbuilt projects, submitted by the ArchDaily community, reflects this shift: a global exploration into how design can shape more resilient, inclusive, and connected ways of living.
BoConcept combines heritage, simplicity, craftsmanship, functionality, and quality at the heart of their design philosophy
The modest origins of BoConcept – the furniture company founded in 1947 by young cabinetmakers Jens Ærthøj and Tage Mølholm, in the sleepy Jutland town of Herning – belie its standing as a beacon of Danish design. By harnessing and refining the key tenets of heritage, simplicity, craftsmanship, functionality and quality over 70 years, the brand has become Denmark's most globally recognizable name in furniture. It's a fact exemplified in timeless pieces such as its midcentury-style Imola armchair (inspired by the form of a deconstructed tennis ball) and the marshmallow minimalism of its Bellagio sofa – not to mention a proliferation of more than 300 stores in over 65 countries.
The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.
By the late 20th century, however, the widespread standardization of gas stations led them to be perceived as "non-places", a concept defined by anthropologist Marc Augé to describe transient spaces that lack social or cultural significance. With uniform designs and a focus on efficiency, gas stations became interchangeable, reinforcing their role as purely functional infrastructure rather than meaningful architectural interventions. This standardization also departed from the era when fuel stations served as recognizable landmarks, contributing to a homogenized landscape devoid of local identity.
When designing spaces for viewing, architecture enters into a dialogue with the territory in an effort to understand the landscape and the enjoyment of reality, whether natural or built. Through an invitation to contemplate our surroundings, several architecture professionals in Latin America embark on the challenge of constructing structures that interact with nature, reinterpret certain building typologies, or become part of the learning and teaching of architecture for future generations. The wide variety of landscapes and cultures present in the Latin American context reflects the endless opportunities where architecture holds the potential to foster dialogue between the observer and the observed while drawing from the region’s deep connection with local flora, fauna, and other species.
Through the creative manipulation of common construction materials and the exploration of elements such as form, light, texture, and space, architecture transcends mere functionality to become an artistic expression. Whether through the boldness of an innovative design, the harmony of balanced proportions, or the evocative use of materials, a building can transform into a work of art that inspires, intrigues, and evokes emotion. The design of the Ginza 41 sushi restaurant, conceived by architect Àfrica Sabé, exemplifies this approach. Its facade stands out in its surroundings thanks to solutions provided by Kriskadecor, a company specializing in customized metallic cladding. By utilizing a tensioned chain facade system that showcases a unique design, the project redefines the integration between architecture and visual branding.
Another year, another successful ArchDaily China Building of the Year Awards! Once more, the award has proved to be the largest architecture prize centered around people's opinion. Crowdsourced, the most relevant projects of the year were nominated and selected by our readers.
