Hot Hot Sofa by Jun Wang. Image via A' Design Award & Competition
The word on the street is that the latest winners of A'Design Award have thrown convention out of the window. True to form, we're here to spill the tea on some of the most daring that made the cut.
Picture this: a stage set for creativity, where the world's sharpest minds in design gather to present their finest work. The A'Design Award is just that–a grand international showcase that celebrates the brilliance of designers, architects, and innovators from every corner of the globe. It's not just another award; it's an opportunity to have your work showcased on a truly global scale.
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
In Beirut, a city marked by transformation, the Interdesign Building echoes the vision of an architect steadfast in his conviction. Designed by Lebanese architect Khalil Khouri in 1973 during a period of economic growth, the building took 23 years to build, a process halted by the onset of the Lebanese Civil War. By the time it was completed in 1996, the urban landscape that surrounded it had changed. The structure has stood largely unused since, as a relic of hopeful modernity. While its design is singular in its narrative and expression, this structure illustrates the tension between aspiration and struggle throughout its complex history.
Sitting for extended periods is an everyday reality in many workspaces, which can lead to a dangerously sedentary working day. This makes office chair design a crucial element for both productivity and overall well-being. Ergonomic design takes into account the human body's needs, including posture, comfort, support, and health. A good ergonomic chair is adjustable, allowing for better control and customized settings that support the spine and promote a natural position for the body's joints. An even better ergonomic chair employs technology to accommodate all seating nuances—including occasional slouching, neck rest, and continuous hip movements, among others—, helping to maintain good body posture at all times.
Humans are social beings.The interaction between individuals is an essential part of the human experience and helps improve society as a whole. While architecture plays an important role in promoting spaces for people to meet, exchange and socialize, furniture can be a strategic tool for achieving this goal.
Browsing through our project library, one can find a number of examples of cafes and public spaces where communal tables become a central element in providing a place to meet. In many of these projects, the sinuous design of the tables, with protrusions and recesses, provides not only the possibility of various configurations of chairs for different group sizes but also different uses for the tables themselves, at times as planters, at others as slides or extensions of a workbench.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
We Design Beirut, Lebanon’s four-day design experience will take place from May 23-26, 2024. This multidisciplinary event aims to showcase and celebrate design and creativity through a varied program, including showcases, installations, talks, and workshops. Founded by Mariana Wehbe in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of interior design, architecture, furniture, product design, functional art, ceramics, and home accessories.
Salone del Mobile.Milano has announced the opening dates and events program, expanding the trade fair event to encompass more narratives and projects relevant to the design community. The 62nd edition will take place at Rho Fiera Ilano from April 16 to 21, 2024. It is expected to include over 1900 exhibitors from around the world, with contributions from emerging designers and several design schools under the recurring SaloneSatellite, now in its 25th-anniversary edition. The cultural program also includes immersive installations, like David Lynch’s “Thinking Rooms.”
Within the shifts in architectural movements and styles, furniture design has also evolved throughout the years, transitioning from elaborate curvy lines and opulent materials to simple and functional layouts, and back again, in constant movement. As it continues to evolve, contemporary furniture design is often influenced by technological advances, exploring digital fabrication and user-centered design, while also responding to sustainable strategies. These innovations have elevated custom furniture design, crafting unique pieces tailored to individual needs, preferences, and space specifications.
With the ability to adapt to each user, bespoke furniture design creates unique pieces crafted to meet individual needs, preferences, and space specifications. Delving into augmented reality (AR) and virtual reality (VR), Tylko creates customized, long-lasting, and sustainable solutions for sideboards, wall storage, bookcases, wardrobes and TV stands. Analyzing their tech-forward approach to creating endless possibilities of made-to-measure furniture, we showcase their design process experience, along with their intuitive online configurator and augmented reality app.
Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
https://www.archdaily.com/1007326/re-purposing-materials-from-post-industrial-recyclate-to-accessible-furnitureEnrique Tovar
Auction houses, secondhand furniture stores, and realtors make small fortunes from a nomenclature that, despite the fuzziness surrounding its indeterminate span and whether everything made during its indefinite duration ought to be stamped with the same label, continues to demand attention. Years from now, serious collectors of architectural magazines may search for that single issue of the 21st century magazine Dwell, absent a major spread of a house designed in the midcentury modern (MCM) manner or a restoration of a building from that era. MCM is the very blood that pulses through the publication’s arteries, promulgating a view of a squeaky-clean and well-lighted lives lived almost invariably by (often childless) ectomorphic couples, blissfully happy under a flat roof with floor-to-ceiling windows affording fine views of distant landscapes best enjoyed behind insulated glass in an ambient temperature of 72 degrees Fahrenheit. But what are we to make of this term, this period—some even call it a “movement”—so well-known globally it goes by initials?
Big meeting: Le Corbusier's LC4 Chaise Longue meets Eileen Gray's Adjustable table, Alvar Aalto's Stool 60, Verner Panton's Flowerpot pendant and Mies van der Rohe's Barcelona chair
The 20th century is almost certainly the most important period when it comes to interior design icons. The list of protagonists who have contributed to making this era of design such a great one is certainly too long to truly do justice to all of them and their classic furniture designs. For this reason, here we present just a small selection of architects and designers such as Eileen Gray, Le Corbusier and Verner Panton, who have written design history over the past century, and which still continue to make an impression to this day – all of whom can be found on the Architonic Platform. Our journey includes extraordinary talents from all corners of the world: A look back at the furniture world of yesterday, which was then of tomorrow, and today still shines as brightly and timelessly as ever.
Many architectural projects have been giving special attention to cabinetry and built-in furniture. These custom-made wood pieces are designed for specific purposes and can be used to organize the space, which can be living rooms, bedrooms, studies, kitchens, and bathrooms. Besides functionality, these elements also introduce different materials, textures, and colors into the environments. This article will explore some examples of how colorful cabinets and furniture can make architectural projects more vibrant.
Sun protection is a universal need for human beings. While sunlight benefits our health and mood, it is also essential to protect ourselves from its harmful effects on our well-being and comfort. Throughout history, architecture has provided solutions to this need by offering shelter and comfort in shaded areas. Since ancient Egypt, sunshades made of palm leaves attached to a pole have been used to protect against the sun in open spaces.
Thanks to contemporary materials, we can now develop more durable outdoor structures and furniture than the palm leaves used by the Egyptians 4000 years ago. This has resulted in lightweight and aesthetically pleasing structures that resulted from the designs and materials that emerged in the 20th century. Although these designs are not made from natural elements, they incorporate pieces that replicate their characteristics, providing shade with unique shapes and a distinctive design. In this context, cbdesign has created the Daisy umbrella. This flower-shaped parasol reproduces the colors found in natural surroundings, such as the sea, yellow frangipani, the blue sky, and purple bougainvillea.
https://www.archdaily.com/1002858/aesthetic-accents-flower-shaped-umbrellas-that-fuse-beauty-and-utilityEnrique Tovar
Although the use of arches in architecture dates back to the 2nd millennium B.C., it was the Romans who solidified them as both an engineering element and a symbol of military victories, which we now see excessively as memorial arches. Shortly after, different civilizations and cultures adopted the arch for their own purposes, bridging together structural necessity and aesthetics. In this article, we look at how arches evolved from significant structural elements to captivating decorative details.
As true spatial orchestrators, architects’ expertise extends beyond the mere construction of buildings, often transcending the physical realm of design. They possess the unique ability to craft spaces that are not only visually appealing, but that also feel welcoming, harmonious, and, above all, functional. Embracing this vital role involves careful consideration of all the bits and pieces that make up a project; from a building’s foundations to a sofa, architects must ensure that all the elements, in every scale, tie together in a way that is cohesive and positively influences our everyday lives.
Social by Snohetta for Varier. Image Courtesy of Mishael Phillip Fapohunda
Milan Design Week is an annual festival that returned to Milan this April, with as a main event, The Salone del Mobile, which runs from April 18 to 23, 2023, at the Fiera Milano exhibition venue. Over 370,000 people attended the furniture fair this year, while thousands of design studios presented furniture, lighting, appliances, kitchen, bathroom, outdoor and workstation products. To highlight furniture and object design and the broader context of Milanese architecture and culture, many architectural offices collaborated with various businesses to make architect-designed items and construct architectural installations.
Reputable architects participated in the week-long event as they do every year, using products, furniture, and installations to share their expertise, address some of the most pressing issues facing the field, and demonstrate how their work can benefit the environment and society. Many firmly established architecture studios, from Foster + Partners, Mario Cucinella, and Hassell, designed various products. Furthermore, architects such as The New Raw, Snøhetta, and Studio Etienne Bastormagi have designed products focusing on efficient and sustainable systems that can inform future decision-making.
