The Royal Institute of British Architects (RIBA) has announced the first two shortlisted projects for the 2021 House of the Year, an annual award that honors the best new architect-designed house or extension in the United Kingdom. The following two projects will be announced on November 24th, and the complete shortlist will be announced on December 8th, 2021, on UK's Channel 4.
It has become evident that the spaces we inhabit have changed. The COVID-19 pandemic has forced us to appreciate values as lighting, ventilation, and comfort when working in home.
A new report from The Trust for Public Land (TPL) makes a compelling case for transforming underperforming, paved public schoolyards into green oases for the entire community. While the benefits for schools and their educational communities are clear, TPL sees an opportunity to open up these facilities to surrounding neighborhoods after school hours, on weekends, and when school is out. If all 90,000 public schools in the country had a “community schoolyard,” more communities could tackle the persistent park equity issue — in which too few communities, particularly undeserved ones, enjoy access to nearby high-quality public green spaces. TPL argues that opening up all schoolyards, essentially turning them into part-time all-access community hubs, would “put a park within a 10-minute walk of nearly 20 million people — solving the problem of outdoor access for one-fifth of the nation’s 100 million people who don’t currently have a park close to home.”
Formerly known as the Bibliotheque du Roi, the Richelieu site of the National Library of France near the Palais-Royal has finally completed construction after almost 10 years of renovations. The transformation of the 300-year-old site included facade restorations, installation of an interior garden, and facilities maintenances, promoting innovation, modernity, and openness to a wider public. The project, which is both a library and a museum, will continue to house a massive campus for the history of the arts and heritage, and provide visitors with a place for walking, discovery, and exchange. The site is expected to be open to the public in summer of 2022.
Spanish architect and engineer Santiago Calatrava is rebuilding World Trade Center’s St. Nicholas Greek Orthodox Church and National Shrine in New York City. The church, which was destroyed during the 9/11 attacks, began its reconstruction process in 2015, and is finally reaching completion in 2022. The new structure's design is inspired by a mosaic of Istanbul's Hagia Sophia Grand Mosque, formerly the Church of Hagia Sophia, which was one of the fundamental factors in defining the original architecture of the St. Nicholas Greek Orthodox Church.
When David Chipperfield was asked about what visitors should expect to see when he concludes the renovation of Mies van der Rohe’s Neue Nationalgalerie in Berlin, he said: “Imagine a 1965 Mercedes. It looks fine, but it’s falling apart on the inside. We want to put it in the shop, take it apart and put it back together again, so when someone turns on the switch - the engine will work.” Due to the ongoing pandemic health regulations, the 2021 re-opening saw a limited number of journalists and visitors to tour alongside Chipperfield and explore the newly-renovated architecture. Editor and photographer Gili Merin had the opportunity to photograph the project during the pre-opening event and interview the world-renowned architect.
This week's reprint from Metropolis explores the ongoing renovation and transformation of an iconic site in Buffalo, Silo City, in order to create ambitious residential and public projects.
Work has begun for MVRDV's renovation of Shenzen Women & Children Centre, a mixed-use tower featuring an array of public functions, now in need of a comprehensive transformation. Constructed during the city's explosive growth following the Special Economic Zone designation in the 1980s, the building is one of the many nearing the end of their initial lifespan, and MVRDV's adaptive re-use project sets an important precedent for repurposing these buildings by bringing colour, greenery and a new layer of public spaces.
When we are discussing the definition of “structure”, the term varies within different disciplines. In the context of the built environment, "structure" refers to anything that is constructed or built from different interrelated parts with a fixed location on the ground.
Philadelphia Museum of Art opened to the public earlier this month after completing an extensive four-year renovation and interior expansion project led by Frank Gehry. The intervention, dubbed the Core Project, focused on renewing the museum's infrastructure, creating galleries and public spaces while leaving the 1928 exterior untouched. The culmination of two decades of planning and design, the project led by the renowned architect creates a compelling vision for the future of the museum while honouring the landmark building.
After an extensive renovation, Skidmore, Owings & Merrill (SOM) completes the transformation of the Willis Tower observation deck and inaugurates a new interactive exhibition showcasing how architecture shaped Chicago’s identity through the city’s history. Now reopened to the public, the Skydeck is part of SOM’s ongoing design stewardship of Willis Tower, which started with the building’s conception and continued in 2009 with the addition of the Ledge.
The height of the ceiling of a space heavily influences our perception of it. Generally, local building codes regulate the minimum dimensions for ceiling height, which are calculated to ensure adequate quality of life in the environment. But the exact height of the ceilings is often defined by the dimensions of other materials that make up the building, the height of the constitutive slabs, or even by rounding the dimensions of the stair steps. It is common, with the densification of cities aimed at increasing profitability, for entrepreneurs to design with minimum ceiling heights in houses and offices, reducing construction costs. On the other hand, in older structures, more generous ceilings can be observed, which generally enable a greater degree of design freedom. But how can architects make the most of these spaces?
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