When a country becomes known for its most famous export, the two together can become synonymous with quality. Combinations such as French wine, Italian marble and German engineering are examples of the hallmark of excellence provided simply by a product’s geographic birthplace. While Portugal’s most famous and most passionate exports could equally be cork, football, or egg-based sweet treats, there’s far more to the Portuguese culture and economy than preening soccer players and custard tarts.
While Portuguese culture’s relationship with ceramics is known for the distinctively patterned plates, bowls, and jugs millions of tourists attempt to keep intact on the journey home, few are paying the extra baggage charge for 50 sqm of ceramic tiles. The country’s agreeable climate, however, along with a history of craftsmanship and the natural strength, durability, and pigment of Portuguese clay, means high-quality ceramic facades are an identifiable feature of Portuguese architecture. And the material is exported all over the world for both exterior and interior surfaces.
Children's Learning Center, Mas-in Village / Native Narrative. Image
Since the first civilizations, nature has been a fundamental pillar to serve humanity as a natural habitat, offering shelter, food, and medicine. In modern times, industrial and technological revolutions have taken over the landscape, reshaping the way humans interact with nature. However, today and due to the events that we have experienced as a society, it is necessary to focus on creating cities and spaces that integrate nature into everyday life.
Courtesy of Play-Time, Art Gallery of Ontario, Diamond Schmitt, Selldorf Architects and Two Row Architect.
The Art Gallery of Ontario (AGO) has announced an expansion project designed by Diamond Schmitt, Selldorf Architects and Two Row Architect. The Dani Reiss Modern and Contemporary Gallery design will increase the museum’s gallery space by 40,000 square feet, with 13 new galleries across five floors.
The exterior façade of the extension will quietly complement the AGO’s existing built environment, respecting the scale of the surrounding neighborhood. Sitting one story above AGO’s existing loading dock, the Dani Reiss Modern and Contemporary Gallery will be nestled between the AGO and OCAD University. It will connect the existing galleries from four locations, substantially improving visitor circulation in and around the museum.
The Developer Red Sea Global has partnered with the wellness brand Clinique La Prairie to develop a high-end health resort in Amaala, located on the northwest coastline of Saudi Arabia. The resort will host 13 villas and 52 houses and suites. It will also feature a diagnostics lab, a museum, a beach club, workshops, training rooms, private dining spaces, and a cooking school, activities that ensure that the visitors embark on a journey of rejuvenation and self-discovery.
Kampung Admiralty / Ramboll Studio Dreiseitl and WOHA. Image Courtesy of WOHA
A heavily cited fact within the architecture industry is that the built environment accounts for 40% of global carbon emissions. The concerning statistic puts immense responsibility on construction professionals. The idea of sustainability in architecture urgently emerged as a way of bandaging environmental damage. A wide range of sustainability practices aims no higher than making buildings “less bad”, serving as inadequate measures for current and future architecture. The problem with sustainable architecture is that it stops with ‘sustaining’.
In order to maintain the current state of the environment, the architecture community has been working towards greener means of production. Conventionally, a green building employs active or passive features as a tool for reduction and conservation. Most sustainable designs view buildings as a vessel of their own rather than integrated parts of their ecosystem. With the planet’s current needs, this approach is not enough. It is not enough to sustain the natural environment, but also restore its processes.
Mario Cucinella Architects has started constructing two multifunctional towers to shape Vienna’s skyline. Situated in the 2nd district in Vienna, where a dynamic urban development “Viertel Zwei”, has been in the works for some time, the project consists of two highrises, both of different architectural languages and made for different purposes, together providing a complex urban image inserted into context.
Archaeological endeavors aimed at exploring the civilizations of the past have revealed a commonality across the world. A form of architecture developed independently on every continent. Evidence shows that Neolithic communities used fertile soils and alluvial clay to construct humble abodes, creating humankind’s first durable and solid building material. Earth architecture was born at a very early age in human history. The techniques soon suffered a gradual decline as lifestyles changed, cities grew, and industrialized materials flourished. Does earth architecture have a place in the 21st-century world?
The threat of climate change is looming before us. Sea level rise concerns over 410 million people at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at the COP27 climate summit in Egypt, ArchDaily dives into the concept of radical water-based settlements.
Cities are inseparable from fast-paced lifestyles. Rising rents and “not-that-small” apartments characterize urban environments, perpetuating the chase for “bigger, faster, and more”. As economies develop and human needs grow, buildings are erected at alarming rates to rush toward progress. The risks of urban living are gradually being exposed, raising questions about more intentionally-driven actions. One way to return to slower lifestyles is by returning to slow architecture.
Architecture has been criticized for being a primary elitist indulgence. Most architectural projects are funded by the wealthy and seen as a means of bringing beauty into the surrounding environment. Architecture, however, is a double-sided coin with functionality balancing out aesthetics. With the ability to strategize radical solutions, architects equally find themselves at the forefront of solving complex issues. The context of Southeast Asia offers a demanding challenge with various social problems, giving architects a chance to save the world with humanitarian design.
JAJA Architects won the competition organized by Metroselskabet, Denmark, to develop resource-efficient and climate-friendly metro stations. The winning team takes a comprehensive and holistic approach, looking at both material-optimized and sustainable design solutions and the character of the journey that passengers take to reach their destination. The proposal is centered around three core elements: Materials, Mobility Hub and Climate Campaign. While aiming to reduce CO2 emissions, the team also seeks to create an enjoyable and easy-to-navigate space for the many daily passengers. Snøhetta, 3XN/GXN, and Effekt also participated in the competition.
Zaha Hadid Architects and Architects 61 unveiled the design for the new Science Center in the Jurong Lake District, Singapore. The 52,460 square meters complex aims to make science, technology, engineering, and mathematics (STEM) more accessible through specialized amenities, educational programs, and interactive experiences. The building is expected to open in 2027, which also marks the 50th anniversary of the Science Center and aligns with the Singapore Green Plan 2030.
Largely driven by rural migration to cities and overall population growth, 68% of people worldwide will live in urban areas by 2050. By doing so, many will benefit from greater access to basic services, proximity to public transportation, and better education and employment opportunities. But the pursuit of living urbanized lives also leads to isolation from the outdoors –be it a forest, a meadow or the mountains– that can negatively impact our physical and mental health. Exposure to nature has long been proven to reduce stress levels, boost mood, foster productivity and, above all, enhance well-being. So, considering we typically spend around 93% of our time indoors (and that the pandemic has magnified that statistic), now more than ever we find ourselves seeking a connection with the outdoors and all its inherent benefits. Architects thus face the important challenge of bringing nature in, which is precisely where biophilic design comes into play.
According to a survey by the Brazilian Association for Recycling of Construction and Demolition Waste (ABRECON), there has been an increase in the recycling of construction and demolition waste (C&D) in Brazil in recent years. According to the 2015 report, 21% of the total C&D was recycled in the country that year, while in 2013 the rate was 19%.
The outlook is promising but not yet ideal, and the growth of recycled C&D materials is still considered small. In Brazil, construction waste can represent between 50% and 70% of the total municipal solid waste. This means, we still need to advocate for a more common practice of material recycling and reuse in architecture, especially in Brazil.
Stefano Boeri Architetti, together with a multidisciplinary team including ARUP, Fabio Novembre, and Balich Wonder Studio, has unveiled the design for the new Milan Stadium, named the International Forest Stadium. The project, located in the San Siro area of the city, was presented to the public on the occasion of the competition announced in 2019 by the Inter and Milan teams. The stadium is envisioned as an integral part of the “Sport and leisure district” system, an extensive masterplan measuring over 800 hectares, planned to transform the San Siro district into a center for excellence in the context of European sports.
Skidmore, Owings & Merrill (SOM) has revealed the design of 8 Shenton Way, a 305 meters-high tower. Once completed it would become not only Singapore's Tallest Building but one of Asia's most sustainable skyscrapers. The mixed-use tower takes cues from bamboo forests to create an indoor-outdoor vertical community with public spaces, offices, retail, a hotel, and residences. In partnership with DCA Architects, the project is scheduled for completion in 2028 and will become the newest landmark on the Singapore skyline, along with Marina Bay and CapitaSpring Tower.
Brink Tower by Mecanoo was just granted planning permission and construction works are planned for mid-October 2022. Located in Amsterdam, the Netherlands, the 90-meter-high building, developed by Xior Student Housing and DubbeLL – winners of the competition for this tower together with Mecanoo Architecten in 2020- will offer a mixed program, including spaces to live, work, and relax in a healthy environment. The residential tower is set to create an" energy-positive, green, and inclusive neighborhood" and contribute to the development of Overhoeks in North Amsterdam.
While the United Nations has been continuously urging architects, engineers, and city shapers to put the 2030 agenda and the SDGs into action, and the IPCC report revealed intensifying climate change, sparking widespread discussion over insufficient action, the 83rd ongoing session of The United Nations Economic Commission for Europe - UNECE Committee on Urban Development, Housing and Land Management taking place in San Marino, has just issued a special declaration on “how to build better, safer, more inclusive, and resilient" cities, ahead of COP27. This set of “Principles for Sustainable and Inclusive Urban Design and Architecture”, or the San Marino declaration has gathered the signatures of Norman Foster and Stefano Boeri.
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