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The United Arab Emirates has won the Golden Lion for Best National Participation at the 2021 Venice Biennale, with its contribution entitled Wetland curated by Wael Al Awar and Kenichi Teramoto. Selected by a jury that consists of Kazuyo Sejima (president-Japan), Sandra Barclay (Peru), Lamia Joreige (Lebanon), Lesley Lokko (Ghana-Scotland), and Luca Molinari (Italy), the winning contribution at the 17th Venice Architecture Biennale explores the local geography of the United Arab Emirates to find alternatives to cement, one of the key emitters of the world's carbon dioxide.

The award ceremony, broadcasted live on the Biennale’s official page also presented the Golden Lion for Best Participant in the International Exhibition How will we live together? to RAUMLABORBERLIN- Instances of Urban Practice while the Silver Lion for a promising young participant in the International Exhibition How will we live together? went to Border Ecologies and the Gaza Strip- Foundation for Achieving Seamless Territory (FAST). Other recognitions included a special mention for the national participation of the Philippines and Russia, and to Cave_bureau for the Anthropocene Museum: Exhibit 3.0 Obsidian Rain.

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Questioning the new now, especially with the new challenges of Covid-19, around the world, cities are advocating for structural change and collective action. Berlin questions, an annual, multi-day conference and a platform for transdisciplinary dialogue, in its 2021 edition “Metropolis: The New Now”, tackled the immediate present, creating a place for debate. Dedicated to local solutions to global challenges, the event took on a hybrid format, at various locations in Berlin and online, resembling the world we live in.

ArchDaily had the chance to meet up with Lesley Lokko, architect, academic, and novelist at Berlin Questions, to discuss her talk “Africa as the lab for the future”, her visions for the future of architecture education and the future of big cities on a social, cultural and urban level.

Adjaye Associates has been commissioned the design of district hospitals, part of the Agenda 111 initiative by the Ghana Government. The major vision for Ghana’s healthcare sector will consist of 111 Hospitals including 101 District Hospitals, 2 Psychiatric Hospitals, 7 Regional Hospitals, and the Redevelopment of the Accra Psychiatric Hospital.

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In order “to help architects and students to get to know the best International Master’s programs available”, the Best Architecture Masters (BAM) has established its annual list of top postgraduate architecture curriculums. Based on the QS Ranking by Subjects – Architecture / Built Environment, for the 2021 edition, 22 Universities were selected to be evaluated, by an Expert Committee, formed by 15 professors from all over the world.

In 2021, the Harvard Master in Architecture II continued to lead the ranking, and Colombia maintained second place with its Master of Science Degree in Advanced Architectural Design. TU Delft in the Netherlands took on the third position, becoming the best in Europe while Tsinghua University in China followed in the fourth position, becoming the best in Asia. The Master in Architecture of the Pontificia Universidad Católica in Chile occupied the 15th position and was named the best program in Latin America.

MAD Architects has unveiled his design proposal for Hainan Science and Technology Museum Haikou City, Hainan, China. Scheduled to break ground in late August 2021 and to be completed and open by 2024, the Hainan Science and Technology Museum is the firm’s second major public project in Hainan, after the Cloudscape, inaugurated in April 2021. Merging nature and technology, the project located on the city’s west coast will become an “important science venue and a major tourist attraction for Hainan's free trade port”.

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This article was originally published on Common Edge.

In spite of the lull in the global construction industry over the last couple of years, megacity projects in Africa have continued unabated, as new developments are springing up in major cities all over the continent. Though we’re inspired by the growth of modern African cities and the opportunities offered to city residents, we shouldn’t ignore their shortcomings, the glaring disconnect between the utopian visions of local city officials and the economic and cultural realities of the local populations who live here. Many questions whether these new cities could be built in other ways, or if Africans will ever have an alternative to the current model of placemaking, hodgepodge urbanism foisted on it, largely by colonialists.

Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.

One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.

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Snøhetta has unveiled his latest project, the expansion and site redesign of the Joslyn Art Museum, in Nebraska. Developed in partnership with local architects Alley Poyner Macchietto Architecture (APMA), the project seeks to add new gallery space, public gardens, and outdoor spaces as well as restore and modernize existing office spaces in the Joslyn Memorial building.

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"The future is already here, it's not just very evenly distributed". Starting off with this William Gibson quote, BIG’s latest publication Formgiving looks at the past and present in order to determine the future. Talking of predictions that aren’t so far down the road, but rather than could occur in 5, 10, or 50 years, the book seeks to “give form to the future”, or to what has not taken shape yet.

ArchDaily had to chance to interview Kai-Uwe Bergmann, Partner at BIG-Bjarke Ingels Group, and discuss not only the firm’s latest manuscript but the trilogy of publications: Yes is More, an “Archicomic on Architectural Evolution”, Hot to Cold an “Odyssey of Architectural Adaptation”, and Formgiving, an “Architectural Future History”.

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With more than 70 million forcibly displaced people worldwide, according to the UNHCR, and nearly 25.9 million refugees, the time has come to reconsider the traditional emergency camp approach. Although the concept is temporary by definition, in real life the lifespan of these refugee camps exceeds the planned and the expected.

Ranging from seven to seventeen years, most of these settlements surpass their expiry dates. Actually, on average, according to the United Nations High Commissioner for Refugees (UNHCR) in Kenya, "many displaced persons spend more than 16 years living as refugees in temporary shelter."

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Designed by Foster + Partners, with landscape architect Mark Rios, One Beverly Hills puts in place a unifying vision for Beverly Hills’ western gateway. Proposing two residential buildings, a new ultra-luxury hotel, a casual dining, and retail pavilion, and expansive publicly accessible botanical gardens, the development, expected to open in 2026, aims to become a striking and dynamic mixed-use project.

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Other than the contribution of national participations, the 2021 Venice Architecture Biennale invites architects and researchers to exhibit their work between the Central Pavilion at the Giardini, the Arsenale, and Forte Marghera, seeking to answer the general theme of “How will we live together?”, set by curator Hashim Sarkis. With 113 Participants from 46 countries, and an increased representation from Africa, Latin America, and Asia, these architectural contributions underline worldwide and contextual challenges as well as present multidisciplinary and inventive solutions.

The 17th International Architecture Exhibition, running from 22 May to 21 November 2021, divides these projects amongst the following titles: Co-Habitats, Stations, Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet, How Will We Play Together? After having explored the recurring qualities observed in the national pavilions, this feature highlights the rest of the interventions through the lens of Laurian Ghinitoiu.

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With 3 months to go until the opening of Expo 2020 Dubai, on October 1st, the organizing committee has released updated images highlighting ready and completed pavilions. With officially 191 participating nations, the expo is seeking to “explore the power of connections in shaping our world”. Showcasing architecture, culture, and inspiring innovations, the world expo has been, for the past 170 years, the leading platform to introduce great inventions and architectural revolutions, most of which shaped the world we live in today.

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Madame Architect, the platform dedicated to the built environment and to the empowerment, advancement, and visibility of the women who work in it, has just reached a milestone, publishing over 250 interviews with the females who shape our world. “Designed to break the architect’s mold”, the website was founded 3 years ago by Julia Gamolina, an architect that shaped her own path in the field, becoming Director of Strategy at Trahan Architects, focusing on the business, its development, growth, and evolution.

Archdaily's Christele Harrouk had the chance to speak to Julia Gamolina, Founder, Editor-in-Chief of Madame Architect, and one of Professional Women in Construction's "20 Under 40", to discuss her career choices, the online magazine, the business of architecture and communication.

ODA has just launched its latest project, an urban vision for the future of the streets of New York. The project titled Beyond the street- Reimagining the flower district proposes to transform a city block from the outside in, altering the pedestrian experience and introducing new zoning changes that would give landowners air rights or tax credits in exchange for handing over their inner courtyards to be transformed into public/private spaces.

ArchDaily had the chance to talk with Eran Chen, founding principal and executive director of ODA, about the firm’s very special proposal that seeks to improve our urban environment. Check the interview and watch ODA’s explanatory movie.

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Studio Gang and The Community Builders have won the City of Chicago’s C40 Reinventing Cities, a competition that seeks to “transform underutilized sites or buildings into beacons of sustainability and resilience and act as a showcase for future zero-carbon urban developments”. The winning proposal will create 207 residences for the downtown workforce earning as little as minimum wage, revitalize Pritzker Park, and add community spaces and amenities to the Chicago Loop.

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Responding to “How will we live together” in 115 different ways, the 2021 Venice Architecture Biennale welcomed, physically, the large public, on May 22nd, 2021. Opening up furthermore to the world, the timeless yet context-sensitive theme engendered a collective imaginary, highlighting a world that would rather come together than stay apart. Building an architectural narrative of the present that reflects on a resilient future, the interrogation, first asked in 2019, gained more relevance with the pandemic that paused the world for a while. With a lot of optimism and love for the craft, the architectural exhibition opened its doors to a longing public and revealed recurring qualities in the showcased interventions.

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The 20th Serpentine Pavilion, designed by Johannesburg-based practice Counterspace, directed by Sumayya Vally, opens today, on June 11, 2021, after 1-year postponement. On display until the 17th of October 2021, on the Serpentine Gallery’s lawn in Kensington Gardens, the project was captured by Mark Hazeldine. Check the exclusive photo series that highlights the story of the space.

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