"I want to start by thanking architecture itself." With these words, Chilean architect Smiljan Radić, the 55th laureate of the Pritzker Architecture Prize, opened his acceptance speech in Mexico City. Reflecting on what he calls "distractions," he thanked the many encounters that have accompanied him throughout his life and practice: from art, cities, materials, structures, and compositions to landscapes, poetry, nature, forms, stories, and memories. He spoke about what, within them, provoked him and the marks they left on his architectural imagination.
From the black light in Chandigarh and the interior of San Salvatore in Rialto, to the heaps of stone on the Croatian island of Brač; from the fallen columns of the Temple of Poseidon and the abandoned shires scattered across Chile, to People Meet in Architecture, Kazuyo Sejima's 2010 Venice Architecture Biennale, the traveling Chilean circus, and the silence of the water within the cisterns of Hagia Sophia, his speech unfolded as a tribute to moments, encounters, and distractions. A collage of memories and impressions that, together, shaped the architect he became.
The opening of the new Fondation Cartier pour l'Art Contemporain in Paris last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.
ArchDaily had the opportunity to discuss these ideas with the author against the backdrop of the Fondation Cartier's newly inaugurated home on Rue de Rivoli. Housed within a restored Haussmannian building that once accommodated the Grands Magasins du Louvre, the space has been radically reimagined by Jean Nouvel as a dynamic, transformable architecture.
The past year marked a defining moment in ArchDaily's evolution: a year of recalibration, intention, and renewed editorial purpose.
In an increasingly fast-moving and saturated media landscape, we took the opportunity to ask the fundamental questions: What does architectural media need to be today? What responsibilities do we carry as a global platform? And how can we contribute meaningfully to a profession navigating social, environmental, and cultural transformation?
And by engaging deeply with these reflections, we stepped fully into our role, bringing greater definition to who ArchDaily is and how it operates.
ArchDaily is proud to reveal the winners of the 5th edition of Next Practices, recognizing 20 groundbreaking architectural practices from around the globe. These firms embody the creativity, innovation, interdisciplinary approach and social responsibility that are shaping the future of architecture and expanding its horizons.
Architecture is going through transformative times, and so are the platforms that shape how we understand it.
Earlier this year, I addressed you directly to share our vision for 2025: a commitment to reaffirm ArchDaily's mission, elevate our editorial voice, and strengthen our role as a trusted, critical resource for architects worldwide. That message marked the beginning of a new chapter, one grounded in relevance, clarity, and purposeful action.
A place of rebirth, the city of Muharraq in Bahrain has undergone a visionary cultural and urban transformation, emerging as a pioneering model for culturally-led regeneration in the Arab world, particularly in the Gulf region. Once the capital of the country's pearling industry, Muharraq has preserved, reinterpreted, and reintegrated its historical legacy into its evolving urban fabric.
Faced with the challenge of redefining its future—marked by an intact urban layout but deteriorating architectural structures—Muharraq envisioned a linear urban narrative, weaving together the memory of the industry through a sequence of key buildings. The city set out to connect the individual properties tied to its pearling past, such as homes of divers, boat captains, and pearl merchants.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
It is with immense gratitude and excitement that I share my first letter as Editor-in-Chief. Addressing you directly marks a meaningful shift from our usual approach, and I believe it's the perfect way to begin the year. As I step into this new role, I am honored by the opportunity to lead ArchDaily into a new chapter, building on our strong foundation to reach even greater heights.
At ArchDaily, we have always believed that architecture has the power to transform lives and environments. For 17 years, we have been more than just a platform; we have become a community and a voice for architecture—a collaborative network where architects, designers, and enthusiasts come together to shape the built environment and redefine urban living. Reflecting on this journey, I am deeply inspired by our shared accomplishments, made possible by the dedication of our talented global team and the unwavering support of our users. Together, we have created a space where ideas thrive and innovation blossoms.
"We think we are diverse, and we think we have equality, but is that really the case?"
Highlighting the stories of female architecture shaping the built environment, the documentary "Women in Architecture", by Boris Noir returns for a second chapter. Initiated by Sky-Frame, in collaboration with ArchDaily, this installment of the docu-series delves into the stories of Dorte Mandrup and Tosin Oshinowo, drawing a parallelism between both of their lives and focusing on their distinct paths and challenges. Stay tuned for the online screening on November 12th at 7:30 am EST, 12:30 pm CET on ArchDaily.
Karantina Public Park 2020-2023. Image Courtesy of CatalyticAction
Public spaces are not always shaped by planning but by the practices they host. Their existence stems from our inherent need for connection with others. As spaces of encounter, these urban, open, and accessible areas reflect how we interact with our surroundings and each other while offering places for exercise, play, socializing, and recreation.
Recognizing that public spaces are more than just physical environments, CatalyticAction is dedicated to fostering a sense of community, safety, and belonging, especially for children, who are among the most vulnerable in society. Their mission is not only to create spaces where children can play and grow but also to empower them, ensuring they have a voice in shaping their surroundings. To learn more about their work, Christele Harrouk, ArchDaily's Editor-in-Chief, spoke with Joana Dabaj, Co-founder and Director of Programmes at CatalyticAction.
The Obel Award is an international prize for architectural achievement presented annually by the Henrik Frode Obel Foundation. Each year, the jury selects a specific theme and grants an award to a promising solution. For the 2024 edition, the prize that honors architectural contributions that positively impact both people and the planet will be focused on “Architecture With”.
Previous emphasis included Adaptations, Emissions, Cities, Mending, and Well-being. In 2023, the fifth cycle recognized ‘Living Breakwaters’ in New York, a green infrastructure project off the shore of Staten Island, by SCAPE Landscape Architecture and its founder Kate Orff. In 2022, the Obel was awarded to Seratech, a carbon-neutral concrete solution, in 2021, the concept of the 15-minute city received the prize for its value in creating sustainable and people-centric urban environments, and in 2020, Studio Anna Heringer was acknowledged for Anandaloy, in Bangladesh, an unconventional, multifunctional building that hosts a therapy center for people with disabilities on the ground floor and a textile studio on the top floor producing fair fashion and art. Finally, in its first edition, fixated on well-being, the Obel Award was granted to the Art Biotop Water Garden project in Tochigi, Japan, by Junya Ishigami & Associates.
The Graham Foundation has announced 56 new grants to individuals, selected from nearly 600 submissions. Centered on publications, research, exhibitions, films, site-specific installations, and digital initiatives, the funded projects "expand contemporary architecture ideas through innovative rigorous interdisciplinary work on the design and the built environment." The projects are led by 84 individuals, including established and emerging architects, artists, curators, designers, filmmakers, historians, and writers.
The Pritzker Architecture Prize 2024 Laureate Riken Yamamoto will deliver the lecture, "uncovering his journey in the discovery of communities throughout the world, inspiring his socially-driven architecture that blurs the boundaries between public and private dimensions". Following the lecture, Yamamoto will be joined by recent Laureates, Sir David Chipperfield CH (2023), Francis Kéré (2022), and Anne Lacaton (2021), who share a similar commitment to the value of the social system." They will discuss the responsibility of the architect as a catalyst for change and debate respective challenges of creating and bridging communities as they shape new approaches to the design of the built environment."
“The 2024 Prize jury emphasizes the significance of architecture that explores the potential to shift mindsets and policies, as well as the importance of fostering inclusivity”, explains the official announcement. The Awards Ceremony will take place at the Mies van der Rohe Pavilion in Barcelona, in the context of the EUmies Awards Day, on the 14th of May 2024, launching the Barcelona Architecture Weeks.
Videos
Concept redesign routes Salone del Mobile.Milano - Ph. Cristian Catania, Lombardini22. Image Courtesy of Salone del Mobile.Milano
The 62nd edition of the Salone del Mobile at Rho Fiera brought together designers, architects, producers, and prominent figures from the design realm. With more than 1950 exhibitors, the six-day event, running from April 16 to 21, 2024, emphasized conviviality, well-being, and sustainability. Designed with a human-centric approach, incorporating neuroscience principles to enrich visitor interaction, Salone del Mobile is revolutionizing the future of fairs.
On-site during the event, ArchDaily had the opportunity to speak with Cristian Catania, Senior Architect and Project Director for Reinventing Fairs at Lombardini22, responsible for revamping Salone, about the primary changes in the fair’s layout and the implementation of neuroscience approaches in conceptualizing the exhibition spaces.
The Feynan Ecolodge project. Image Courtesy of Dongola DAS 01 | Notes on Formation and Ammar Khammash
Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.
In 2022, he was featured in the first edition of the Dongola Architecture Series, a biannual publication that offers unique perspectives into Arab culture by highlighting prominent contemporary architects. The issue, titled “Notes on Formation: Ammar Khammash,” written by Raafat Majzoub, explores "architecture as a transdisciplinary tool of expression, and as a method of imagining and reimagining the future," encapsulating the ethos of the publication. ArchDaily had the opportunity to talk to Ammar Khammash and Sarah Chalabi, founder of Dongola Limited Editions, to delve into the architect’s perspectives on site, materiality, and culture, along with his philosophy, notions on academia, and insights into the future of the profession.
