Jean-Luc Godard, through his films, talks about architecture almost as easily as he talks about cinema itself. In honor of the nouvelle vague icon, who passed away today at the age of 91, we revisit How Architecture Speaks Through Cinema.

There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote sound novels in silent days. Like Alain Resnais, who sculpts. And like Socrates, Rossellini I mean, who creates philosophy. The cinema, in other words, can be everything at once, both judge and litigant. — Jean-Luc Godard [1] 

Next to a wall or in the corner of a room, most sofas seem relegated to lean against the only available wall in a space, preferably with a TV in front. As they are usually very large pieces of furniture, they can be complicated pieces to integrate into a room. In consequence, a sofa might end up "stiffening" a space, restricting movement and compromising flexibility – an increasingly important aspect for interiors – in a room. This is why the sofa can be considered an anchor piece in interior design; an element whose placement will probably not change throughout time, and that will certainly have an impact on the other elements within a space.

Modular sofas, however, give flexibility and versatility to an otherwise rigid piece. Made of separate parts, they can adopt several shapes and sizes, creating different ambiances and completely changing the layout and distribution of an environment. In this article, we showcase some modular sofa options – and how they can add dynamism to interior spaces – with product examples from the Architonic catalog.

The real estate industry moves fast. It wasn’t so long ago that potential buyers narrowed their searches by driving around with a sheaf of printed listings, and designers and builders relied on CAD drawings and artist renderings to show yet-to-be-built spaces. Nowadays, advances in graphics technology have brought us interactive 3D renderings, making it easier for investors, buyers, and other stakeholders to truly understand the designs they’re looking at.

Following on from these advances, we’re also seeing technology that can excite and entice buyers, like sales configurators and interactive tours, where visitors can choose finishes and design their own spaces right before their eyes; virtual reality experiences, where architects can get feedback from investors on design at key stages of the process; shadow studies, where potential occupants can see how a space will be affected by sunlight at various times of day; and digital twins, where cities can get a true idea of a building’s usage, which leads to new ways to optimize efficiencies and design better spaces for residents.

Herzog & de Meuron and landscape designer Piet Oudolf are collaborating to create Calder Gardens, which will house and display artworks by American sculptor Alexander Calder. Located between Vine Street and Benjamin Franklin Parkway in Philadelphia, the 6,500 square meter site will house a two-story building, half of which is developed underground. Instead of developing the site as a typical museum, the team decided to transform it into a garden as an attractive alternative for the people of Philadelphia.

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The 311-meter-high Mixed-Use Tower in Downtown Austin designed by Kohn Pedersen Fox (KPF), will become Texas' tallest when it opens in late 2026. Called Waterline, this skyscraper is intended to define the skyline of one of the U.S.A.'s most dynamic and growing cities. Targeting LEED Gold certification, the 74-story project will include apartments, offices, hotel rooms, and a ground-floor paseo. The development will also add two new pedestrian bridges and three additional public pedestrian and bike access points.

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At sunrise and sunset, the low sun bursts into interior spaces to flood them with joy like no ceiling or wall fixture can. Those times, however, are fleeting and difficult to catch amongst a heavy schedule.

The great debate wages on: how do we design and build a modern city in a way that everyone will benefit? Traditionally, you’re on one side of the urban war. You’re either a NIMBY, which stands for “Not In My Backyard”, meaning you oppose new development in your neighborhood, or you’re a YIMBY, who says “Yes In My Backyard”, and are pro-development, for one reason or another. But these blanket acronyms don’t describe the real issues that cause people to position themselves on one side of the never-ending tug-of-war between “No! Don’t build that!” and “Yes! Build that!”

Boston architect Brian Healy moved around for his early career, before settling and building in New England. He had studios in Florida, California, and New York, eventually opening his office in Boston. Healy acquired his bachelor’s degree in architecture at the Pennsylvania State University in 1978 and continued his studies at Yale where he encountered such influential professors as James Stirling, Vincent Scully, John Hejduk, Aldo Rossi, and Cesar Pelli, among others.

Healy graduated with a Master of Architecture in 1981 and then used traveling scholarship money from Yale, the Van Allen Institute, and the American Academy in Rome to travel around the world for a year, exploring ancient ruins in Ireland, Italy, Greece, Sudan, Egypt, India, Nepal, and Thailand. Prior to the trip, he had worked at the offices of Charles Moore and Cesar Pelli. Upon his return, he designed and built homes in Florida before working for Richard Meier in New York. In 1985, he started Brian Healy Architects. Parallel to that he taught at over twenty universities across North America, including Yale, Harvard, MIT, and the University of Pennsylvania. Healy was the 2004 president of the Boston Society of Architects and, from 2011-2014 he served as Design Director at Perkins + Will.

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Building performance is a hallmark of architecture in the 21st century. With buildings and the construction industry being significant contributors to carbon emissions, designers must do everything to reduce their buildings’ energy consumption and carbon footprints. Moreover, buildings need to contribute to a positive occupant experience, improving the health and productivity of their users through enhanced visual and thermal comfort and air quality. Today’s buildings are also expected to perform outside their physical boundaries and positively impact surrounding communities; by reducing their contributions to local heat islands and stormwater runoff, and supporting local green economies and sustainable systems.

With high-performance design goals becoming a standard benchmark for buildings, designers must identify the high-performance aspects they want to design for and set targets for key performance metrics. By tracking a building’s performance at each design stage through various simulations, building performance analyses provide a road map that gradually connects its predicted performance to its target values.

After two years of disrupted cycles of architecture events, due to the pandemic, 2022 has been witnessing a resurgence: biennials, triennials, design weeks, and festivals are back in the picture, with bigger interrogations and larger thematic approaches, aligned with the challenges of the world.

Relevant today more than ever, these happenings scattered around the globe are tackling climate-related issues, urban problems, as well as concerns engendered by covid-19 such as resilience, models of living, future of design, and the unknown.

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James Stewart Polshek, founding partner of James Stewart Polshek Architect, later Polshek Partnership, and currently Ennead Architects, has passed away after a 70-year-long career designing significant works of public architecture. In an era dominated by so-called starchitects, his work is often seen as a modest approach to architecture, prioritizing social values over aesthetic ones. Key projects completed by Polshek include the 1987 restoration and renovation of New York’s Carnegie Hall; the Rose Center for Earth and Space at the American Museum of Natural History in New York (2000); the William J Clinton Presidential Center and Park (2004) and the National Museum of American Jewish History in Philadelphia (2010).

The Jakob-Park Stadium, home of FC Basel, is getting an update to extend its lifespan after 20 years of use. Originally designed by Herzog & de Meuron, the architecture reform aims to provide better hospitality to visitors by restructuring the access and optimizing security to keep the stadium open even on non-match days. The proposal also contemplates replacing the iconic facade with a sweeping roof to give the stadium a unified appearance and broadcast the events outside.