The Rixos Marina project demonstrates the perfect harmony between luxury and style using Terraco’s Terracoat Suede. Image Courtesy of Terraco
The façade of any building is more than just its exterior; it serves as a canvas that not only enhances the structure's appearance but also reflects its inner essence and character. The exterior façades category encompasses a broad variety of finishes and systems, including renders, and decorative coatings, designed to protect buildings while adding aesthetic value, blending functionality with visual appeal in perfect harmony. These finishes are crucial in defining the architectural character and energy efficiency of residential, commercial, and industrial structures.
The global exterior façade finishes and coatings industry is witnessing significant growth, driven by: increasing construction activities related to rapid urbanization and development; accelerated renovation projects; the adoption of energy-efficient building and sustainable construction practices; and the rising demand for aesthetically pleasing and durable building exteriors. It is projected to grow with a strong CAGR of 9% between 2023-2030, as per the Exterior Architectural Coating Market 2024 report by 360iResearch.
Prompt: An image that embodies the essence of social media: a giant screen displaying photographs of architectural and interior projects, with a person at the center, standing with their back turned, absorbing the scene. Image Courtesy of Enrique Tovar using DaVinci AI
I saw it on Instagram! It's a phrase we often hear in various contexts, from the latest restaurant recommendations to the trendiest hotel in town. The window to observe and expose ourselves to the outside world now sits in our smartphones. This doesn't necessarily mean it's all doom and gloom. Still, it reflects that we're constantly flooded with data and information segmented by algorithms, all in a super easy-to-consume format. In today's world, it takes only a few seconds to form a lasting impression of a building and its atmosphere—and those first impressions matter more than we often realize.
https://www.archdaily.com/1025972/social-media-friendly-design-is-architecture-adapting-to-viral-trends-and-algorithmsEnrique Tovar
As 2024 comes to an end, a dynamic year that questioned knowledge, tradition, and innovation, we take a look at how global events and trends influenced the design of interior spaces. Last year, architecture practices sparked worldwide discussions, challenging norms and tradition, and embracing overlooked regions. Interior design, on the other hand, took a more reserved, modest approach, favoring simplicity and individuality. Fast forward a year later, the overall architecture and design themes of 2023 remain the same - reinforced if anything - but have embraced "crafted experimentations" through subtle, acupuncture-like interventions.
In the post-pandemic era, an oversupply of underutilized churches is a growing reality. Besides offering explorations in adaptive reuse, what does this trend say about modern spirituality? Have humans lost interest in the sacred? In a recent article on Common Edge, Duo Dickinson addressed this concern by claiming that "the cultural change that is causing the abandonment of churches does not end the human search for the sacred."
While correctly stating that no formula can turn architecture into "the holy," he seemed to indicate that a new spirituality might still be found in architectural form. As we consider what changing forms of sacred space mean for the modern era, looking for a revitalization of spirituality through architecture alone risks a repeat of an error made in the last century: expecting too much of aesthetics.
In recent years, continuous material finishes enveloping interior spaces have become increasingly prominent, particularly in branding-focused retail environments. A continuous interior refers to using what are typically liquid-applied materials that are cured to create seamless, uninterrupted surfaces, eliminating the appearance of joints and seams—at least during the initial application. A growing range of products now offer various color options, textures, and practical properties, making these finishes more versatile. Interestingly, the aesthetic effect of such interiors is uncanny to the rise of 3D rendering software, where the seamless, fluid look mirrors the smooth, idealized spaces typical of digital renderings. This effect also contributes to a sense of scalelessness, as the absence of visible seams or joints makes it harder to discern the actual size of a space, often giving the illusion that the interior is larger than it is.
Immersive spaces are heavily sensorial environments meant to create impactful experiences crafted through intentionally curated architecture, light, imagery, sound, and sometimes even smell. To "immerse" oneself is to be wholly enveloped in a world shaped solely by immediate sensory input. Using digital tools to craft these environments to showcase art, create compelling exhibitions, and feature performance events has become increasingly popular. Evocative experiences like these can offer a respite from the inundation of personalized digital content and foster shared, grounding encounters. The design of these can exist at the intersection of architecture, graphic design, visual art, lighting design, music, and performance. They underscore the power of interdisciplinary collaboration to craft memorable moments. So, what role does architecture play in shaping these?
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.
Villa Groot, Belgium / Lemaire & Longeval. Image Courtesy of Randers Tegl
Bricks are versatile and long-lasting building materials that combine technical and aesthetic qualities. In a variety of shapes, dimensions, textures, and colors –depending on the manufacturing process and type of clay– incorporating bricks into architecture creates dynamic facades and structures. From traditional to modern styles, these versatile elements can be arranged in different patterns and easily integrated with other building materials, enabling diverse architectural expressions. In addition to these qualities, the use of bricks in contemporary architecture is distinguished by experimenting with placement, orientation, and material textures, as well as embracing minimalistic design principles focused on simple and clean lines.
Among the different types of bricks, designing with a linear or elongated style involves playing with horizontal and vertical arrangements –or a combination of both– creating modular patterns for a rhythmic and harmonious visual appeal. Following this format, Randers Tegl has developed the Ultima waterstruck brick collection, which integrates craftsmanship, high-quality materials, and timeless appeal. By analyzing various projects, we showcase how the aesthetics of linear bricks are applied in contemporary architecture.
The Copenhagen Harbour Ring – “Kronløbsringen” / Third Nature. Image Courtesy of JJO By Tredje Natur
Through urban renewal projects, architects, urban planners, and designers can infuse new life into dilapidated urban landscapes by upgrading the infrastructure, introducing new functions into the urban fabric, and reimagining the character of open public spaces. These types of projects present interest due to their dual character: on the one side they offer an opportunity for reimagining the potential of the city, but the areas they affect are already well-ingrained within the urban fabric, raising challenges of integration and contextual adaptation.
This week's curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that enhance functionality, aesthetics, and sustainability of urban areas while respecting and embracing the existing fabric of the city. From a residential neighborhood that prioritizes self-sufficiency and circularity in the Netherlands, to a highway ramp transformed into productive spaces in California, United States, or a new elevated path designed to alleviate urban congestion in the harbor of Copenhagen, his selection features projects that highlight the ever-changing character of our cities. Featuring projects from both emerging and established architectural offices such as Benthem Crouwel Architects, Space&Matter, and Vincent Callebaut Architectures, the projects demonstrate the variety of approaches needed to adapt urban environments to the needs of their residents.
Agrivoltaic Pavilion prototype & designs in 'Sustainable Architecture & Aesthetics.' Transforming BIPVs with custom 3D-printed filters and panels for site-specific solar collection. Courtesy Sabin Design Lab at Cornell College of Architecture, Art, and Planning and the DEfECT Lab at Arizona State University. Image Courtesy of Jenny E. Sabin
Why research and innovate in architecture? In a conversation with architectural designer Jenny E. Sabin, we delve into the critical link between research and practice in architecture. Seeking the development of a new model, her team incorporates an interdisciplinary approach that introduces connections between these areas, fostering collaboration with both scientists and engineers.
Observing nature’s behavior, the proposed method integrates biological and mathematical discoveries into the design process. After undergoing a systematic testing process, these insights are applied in the project’s generative design phase to create adaptive and responsive material solutions. Analyzing her research and design strategies, we showcase how she translates research into architectural practice.
Rock salt is a chemical sedimentary rock that forms through the evaporation of water, as minerals dissolve and settle down. When excavated directly from the earth, it maintains a cube-shaped crystalline form. With its diverse textures, compositions and structures, this natural element has captivated human interest for centuries. Depending on the region and environmental conditions, salt rock has been found in diverse applications in architecture, such as a construction material that uses blocks of salt to build structures, bricks, or tiles. Often translucent, these bricks allow diffused light to enter interior spaces, creating a unique atmosphere and aesthetic appeal.
Giving this ancient material a modern twist, Casalgrande Padana uses rock salt as the inspiration for its new Supreme porcelain stoneware tile collection. By replicating the colors, texture and brightness of natural sedimentary rock, this collection can be seen as a fascinating journey to discover the unique features of the center of the Earth.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina, Partners at FAME Architecture & Design discuss the livability of designer homes. The two cover designing for function and aesthetics, material resilience, lifestyle changes, space efficiency, designing based on reference images, and the benefits of adapting to design-forward living environments.
https://www.archdaily.com/1001273/the-second-studio-podcast-the-livability-of-designer-homesThe Second Studio Podcast
“How to give your home: Dark Academia vibes” reads the title of a popular YouTube video targeted at homeowners fascinated by the aesthetics relating to liberal education and the arts. A subculture born in the age of social media, Dark Academia is one of many internet aesthetics that have gained prevalence in the last decade. Image-based platforms like Tumblr, Instagram, Pinterest, and TikTok have amplified internet aesthetics, especially during the COVID-19 pandemic. Social media allows users to support and create their own trends that rapidly amass a following. Today, the creation of aesthetic trends lies in the hands of the general public and will dictate the way interior design trends develop.
HeartFelt® Linear. Image Courtesy of Hunter Douglas & Inteco
Every day, architects and designers tackle an ambitious task: crafting spaces that not only captivate the eye but that also nurture the health and well-being of those who inhabit them. A key part of this mission involves implementing design strategies that foster a pleasant indoor climate, as temperature, humidity and air quality all have a significant impact on users’ mood, productivity and overall health. Humans simply operate better if they are comfortable and content in their home or working environment. Although air-conditioning, ventilation and heating systems have conventionally served as popular solutions to regulate indoor climate, they often carry with them undesirable consequences –the presence of dust and bacteria, the need for regular maintenance and a cluttered, unappealing look. There is, however, an alternative solution.
Interior design has progressively become a subject of interest among architects and designers. Having spent more time indoors recently, practitioners have been experimenting with their spaces and exploring different approaches to scale, comfort, and aesthetics. Much like everything else, design is highly influenced by external factors; any change to people's lifestyle influences how they respond to it, whether consciously or subconsciously. And while this dynamic is often seen in fashion or graphic design, it has been noticeable in interior design as well. Following years of linear, clean-cut, and refined spaces, curved silhouettes were revived, becoming one of the dominating interior design trends across the world.
Technology is disrupting the creative industry and it's only getting better, and faster. Innovation in the architecture industry has never been as rampant as it is at this moment. The advent of artificial intelligence (AI) in architecture - the first genuine 21st-century design method - is changing the way buildings are imagined and designed. AI image generatorslike Midjourney and DALL-E provide an efficient and explorative way of conceiving architectural concepts. Generated in less than 5 minutes, these images unveil an interesting design aesthetic that is emerging. In an exclusive interview with ArchDaily, architect and educator Matias del Campo hypothesizes what the future of architectural aesthetics would be.
Architecture is not simply building. Over 2,000 years ago, Roman architect Marcus Vitruvius Pollio defined two base realities in building: “Firmness” (Safety) and “Commodity” (Use) and then offered what turns building into architecture: “Delight” (Beauty).
“Firmness” has been recoined in this century as “Resilience”. After being unscathed in five hurricanes over thirty years, does this building have “Delight” beyond its “Firmness”? The property of “Commodity” is found in any design’s usefulness and fit: is this archive, in constant use, have “Delight” beyond its “Commodity”?
