We are going through times of great change and we are all aware of that. The role of women in the field of architecture is becoming more and more relevant and, unlike other times, such as in the 20th century, the female figure is no longer hidden behind the male figure, as happened to Anne Tyng with Louis Kahn or Lilly Reich with Mies van der Rohe, just to mention a few examples.
Gaudí's Sagrada Familia in Barcelona has illuminated the terminals on the towers of the Evangelists Luke and Mark, celebrating the completion of these two new structures that reach 135 meters in height. Together with the tower of the Virgin Mary, inaugurated in December 2021, 3 of the 6 central towers will be completed.
CityMakers is working with Archdaily to publish a series of articles, conversations and interviews with the different actors of city co-production behind CityMakers Barcelona Lab 2022, an event that will take place from 14-18 November. On this occasion, Camilo Osorio, Architect and Master in Urban and Territorial Development at the Polytechnic University of Catalonia - Barcelona Tech, presents his article "Barcelona: Joy and Order. The natural and artificial endowments of an exemplary city".
Sanmartín Guix, an architectural firm based in Barcelona, aims to enhance the value of the built heritage through rehabilitation and adaptation according to the needs of new generations, providing comprehensive architectural services as well as real estate advice. In this way, the conditions and aesthetics of the buildings are improved, seeking to adapt them to the requirements of all those who wish to visit or inhabit these spaces.
Cities evolve over countless years, each moment of change building up to larger societal and architectural shifts. Metropolises across the world are constantly subject to social, political, economic, or environmental forces that alter their fundamental identity - a character that is meant to be dynamic. As cities develop in size and impact, advancements in the understanding of cities and urbanism grow more complex.
Cities are formed from a sequence of narratives, characteristics, relations, and socio-spatial values that reflect the identity of the place. The livelihood of the city also depends on its people and a mutual relationship with them. Along with their communities and their circumstances, cities morph to reflect their residents' needs and values.
Equal Saree is an architecture studio based in Barcelona, led by three young architects: Helena Cardona Tamayo, Julia Goula Mejón, and Dafne Saldaña Blasco. All three studied at the Escuela Técnica Superior de Arquitectura de Barcelona (ETSAB), Universidad Politécnica de Cataluña, where they met while taking the subject "Architecture and Politics", taught by Zaida Muxí and Josep María Montaner. The studio is composed of 15 other women architects, in addition to the founding partners.
CIERTO ESTUDIO was founded by six young architects in 2014. Since then, the team has not stopped growing and thus consolidating its professional practice in Barcelona. These six women architects are: Marta Benedicto, Ivet Gasol, Carlota de Gispert, Anna Llonch, Lucia Millet, and Clara Vidal.
The studio was born from plurality, therefore its thinking is inevitably diverse and this is reflected in its collaborative work methodology, always looking for the maximum architectural claim and its own character.
Reflecting on what the materials of the future will be like, we will talk about a material that is booming in Barcelona and which perhaps leads us to respond by suggesting that, as always, everything comes back.
For some years now, hydraulic mosaics have been back on trend, generating interest due to their high artisan value and their diverse designs, perfect for combining traditional environments with avant-garde details.
Catalonia's National Theatre, known by the abbreviation TNC, is a public theatre located in the Plaça de les Arts, near Plaça de Glòries, in Barcelona. It is one of the city's most prestigious buildings and one of the most important cultural institutions in Catalonia.
