Media: The Latest Architecture and News

Media Matters in Landscape Architecture makes a unique contribution to landscape architectural praxis for its explicit framing of “environmental media” in terms of its dual meaning within our discipline. In the sciences, environmental media are the materials of the natural world—soils, air, water, plants, microbes. Within STS and media studies, “environmental media” refers broadly to the relationship between environmental issues—such as pollution, biodiversity loss, climate change—and the creation and application of the tools, interfaces, and images, through which information about these issues is conveyed. This book focuses on how these two distinct understandings of environmental media coalesce within the discipline of landscape architecture and other spatial design fields. Authors from a wide range of disciplines—landscape architecture, media studies, science and technology studies, history of science, engineering, ecology, and architecture—examine how the creation and use of data, images, and models act as the mediums through which a particular understanding of “environment” or “landscape” arises. This framing of environmental media emphasizes the relationships among various design media and the specific material and social environments within which they operate.

Architecture has long been framed as the work of singular visionaries, yet Beatriz Colomina, a leading theorist, historian, and curator, challenges this notion, arguing that architecture is inherently a collaborative endeavor. She critically examines how the myth of the lone genius—almost always depicted as male—has erased the contributions of countless women and entire teams involved in the design process. For Colomina, rethinking architecture means recognizing the complexities of collective work and dismantling the historical biases that have shaped the discipline's narratives.

In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.

While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.

Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.

As final juries draw to a close, graduating architecture students are left with a crucial decision to make. While some might take a plunge into the scary real world looking to gain professional experience, others might choose to further reinforce their architecture education and skill set. Of the latter, most enroll in an MArch program, or take well-trodden paths into urban design and planning, landscape architecture, historic preservation, or theory and criticism. But in an increasingly complex world faced with myriad problems, what about those graduate architects looking to bolster their education in other related disciplines that will give them a more unique perspective on design problems? Here, we shortlist seven alternative, interdisciplinary graduate programs offered by architecture schools worldwide.

I believe one of the biggest problems recently graduated architects are encountering is their lack of professional experience. That’s totally normal. Without knowing what to do, finding employment in architecture can be very costly, both financially and time wise.  

Personally, I started my professional career with some internships where I saw how an architecture project in the street worked: the paperwork that’s involved, the invoices, the budgets, the smell of the ink from the plans in the office, how the models feel under your fingers.

Honestly, you have no idea how open other architects are to sharing their knowledge and making room for the new generations that come after. It makes sense because in a way they see themselves in the new generation, as they were a few years ago. 

Videos

Frank Lloyd Wright once described cities as both ‘our glory and our menace’. With more than half of the world’s population now living in cities, architects are becoming increasingly interested in their origins. Many fields of historical, geographical, and spatial research are devoted to exploring the evolution of cities, revealing a set of similarities across the globe. In a recent video, Wendover Productions described a common set of characteristics linking some of our largest cities, six of which we have outlined below.

Taking the six factors below into account, where is the perfect ‘world city’? Watch the video after the break:

Architecture is no longer just a product of design and construction but also a vehicle of a social action. Communication and mediation are key to this process. The role of architects has to do more with interdisciplinary teamwork than with authorship.

Architecture, as a profession and discipline, has come a long way since Vitruvius. It continues to evolve alongside culture and technology, reflecting new developments and shifting values in society. Some changes are conscious and originate within the field of architecture itself, made as acts of disciplinary or professional progress; others changes are uncontrollable, arising from architecture's role in the wider world that is also changing. Below are just some of the changes that have taken place in recent decades: