Architects are accustomed to being credited for buildings long after construction ends. Names remain attached to projects through photographs, publications, and histories, often decades after the original drawings were produced. Buildings, on the other hand, rarely remain faithful to that narrative for long. Families grow, technologies change, businesses emerge, and daily life introduces demands that no plan can fully anticipate. Over time, architecture accumulates modifications, repairs, additions, and improvisations that gradually distance it from its original form.
The UIA World Congress of Architects 2026 Barcelona has released its full program, outlining the structure, participants, and range of activities scheduled to take place from June 28 to July 2, 2026. Expanding on the previously introduced theme, Becoming. Architectures for a Planet in Transition, the Congress is conceived as a distributed event across multiple venues and urban contexts rather than a single-site conference. Organized by the International Union of Architects (UIA) in collaboration with the Higher Council of the Colleges of Architects of Spain (CSCAE) and the Architects' Association of Catalonia (COAC), the event is expected to gather approximately 10,000 participants and 250 speakers from more than 130 countries.
Suzhou Museum of Imperial Kiln Brick. Image Cortesía de Jiakun Architects
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of ELEMENTAL); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa from SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta from RCR Arquitectes).
In a world facing ecological exhaustion and spatial saturation, the act of building has come to represent both creation and consumption. For decades, architectural progress was measured by the new: new materials, new technologies, new monuments of ambition. Yet today, the discipline is increasingly shaped by another form of intelligence, one that values what already exists. Architects are learning that doing less can mean designing more, and this shift marks the emergence of what might be called an architecture of restraint: a practice defined by care, maintenance, and the deliberate choice not to build.
The principle recognizes that the most sustainable building is often the one that already stands, and that transformation can occur through preservation, repair, or even absence. Choosing not to build becomes a political and creative act, a response to the material limits of the planet and to the ethical limits of endless growth. That Architecture moves beyond the production of new forms to embrace continuity, extending the life of structures, materials, and memories that already inhabit the world.
Sir John Soane’s Museum has announced French architecture practice Lacaton & Vassal as the recipient of the 2023 Soane Medal. The award comes in recognition of the office’s work spanning over 3 decades. Through an honest design approach, the office became known for the resourceful repurposing of materials and existing structures to prioritize the needs of residents and local communities. For this approach, the office has been previously awarded as the 2021 Pritzker Prize 2021 Laureate.
The Pritzker Architecture Prize presents The Role of Practice, the 2023 Laureate Lecture and Panel Discussion, today, Tuesday, May 23rd at 3:40 PM EEST, in partnership with the National Technical University of Athens, and with the participation of the Aristotle University of Thessaloniki, University of Patras and the Technical University of Crete.
The Pritzker Architecture Prize 2023 Laureate David Chipperfield will deliver the lecture, reflecting on architectural practice's role, responsibilities, and opportunities. Moreover, the 2023 winner will explore "how market forces have dominated architecture and become increasingly detached from its place, just as the challenges of the climate crisis, loss of biodiversity, and social inequality have heightened the urgency for a more proactive position". Alejandro Aravena, Jury Chair, and 2016 Laureate will introduce the lecture, which will be followed by a conversation between David Chipperfield, Francis Kéré, 2022 Laureate, and Anne Lacaton and Jean-Philippe Vassal, 2021 Laureates, as they each "reveal the successes and failures of their respective journeys which effected their architectural philosophies and works, and led them to the shared stage of the present".
The Pritzker Architecture Prize released a special ceremony video honouring the 2021 laureates Anne Lacaton and Jean-Philippe Vassal. Previously held in person, each time at a different architecturally significant venue around the world, this year’s ceremony is the second pre-filmed event in the history of the Prize, following the one in 2020. The ceremony features filmed remarks from various speakers, among which are several jury members, Jury Chair Alejandro Aravena, the 2020 Prize recipients Shelley McNamara and Yvonne Farrell, as well as this year’s Laureates themselves. The video also pays tribute to the achievements of Lacaton and Vassal through footage of their built work.
Overall view of a KTT apartment building; Hanoi, Vietnam – 2018. Image Courtesy of Christophe Hutin
The French pavilion at the 2021 Venice Biennale, “aims to reflect on the meeting between architectural know-how and the inhabitants’ own experiences of their living spaces”. Curated by Christophe Hutin, the intervention entitled “Communities at Work” will provide an immersive experience with the help of images in motion. Using five specific case studies on different continents: in Europe, Asia, America, and Africa, the exhibition presents a journey into a world where communities transformations their own living spaces, without following any formal schemes designed by an architect.
Paulo Mendes da Rocha often says that the function of architecture is nothing more than ‘supporting the unpredictability of life’. Spaces stand everyday life, meetings, landscape, art. Something like a frame, which is often also considered a supporting element of a work of art, since it highlights and, mainly, directs the viewer's gaze to the main object. The phrase of the Brazilian architect combines well with the way that the Lacaton & Vassal office works. The French couple's award raises some questions about how accurate their choices are for the current moment in the world. This includes the philosophy of their work, the design solutions adopted and the material palette generally adopted.
The 2021 Pritzker Architecture Prize, architecture’s highest honor, has been granted to Anne Lacaton and Jean-Philippe Vassal, founders of Lacaton & Vassal, the French duo renowned for their multiple sustainable housing projects and for the Palais de Tokyo, a contemporary art gallery in Paris. In their three decades of work, Lacaton & Vassal always prioritized the “enrichment of human life”, benefiting the individual and supporting the evolution of the city.
Anne Lacaton and Jean-Philippe Vassal founded their architectural studio Lacaton & Vassal in 1987, years after studying and working together at the École Nationale Supérieure d’Architecture et de Paysage de Bordeaux. The practice established in Paris has been awarded this year’s prestigious 2021 Pritzker Prize. Their built work leaves strong evidence of what they believe is relevant: sustainability, wellbeing, social responsibility, and the readaptation and the respect of the existing built environment.
https://www.archdaily.com/958569/lacaton-and-vassal-get-to-know-2021-pritzker-winners-built-workPaula Pintos & Clara Ott
With a formal and material approach that differs from the scenarios we usually find in Architecture, Lacaton & Vassal —a French practice that marks its influence in contemporary times by being awarded the Pritzker Prize 2021— brings an open and generous vision to the field.
As industry has shifted over the past century, in format, location, and type, the manufacturing and industrial spaces scattered across the western world have been repurposed. You have no doubt seen these structures, though perhaps without realizing. The large windows, high ceilings, and open floor plans optimized for factory work now mark the territory of the “creative class”. Such spaces have been disproportionately appropriated by creative industries such as arts and architecture; think of Herzog + de Meuron’s renovation of the Tate Modern (from a former power station) or the recent collaborative transformation of a locomotive yard into a library in the Netherlands.
https://www.archdaily.com/911719/lacaton-and-vassals-frac-dunkerque-is-an-architectural-echo-both-in-form-and-in-conceptKatherine Allen
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