Museums: The Latest Architecture and News

Brooklyn-based firm SO-IL has revealed the design for a new campus art museum at Williams College in Massachusetts, created to become a primary teaching resource for the institution renowned for its art history program. Since its inauguration in 1926, the Williams College Museum of Art has gathered an expansive collection of over 15,000 works. Through the design of SO-IL, the museum will be able to move into its first freestanding purpose-built home. In May 2024, the museum will present an exhibition on SO-IL’s design.

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GRAFT Architects has just won the competition to design the new Carl Bechstein Music Campus. Located centrally in Berlin, the Carl Bechstein Foundation’s main goal with the campus is to create a cultural hub entirely devoted to piano music. Serving as a focal point for the Bechstein Brand, established in 1853 and known for its variety of Bechstein pianos, this campus will serve as a focal point and a new headquarters for the foundation.

The Royal Ontario Museum (ROM) in Toronto will undergo an architectural transformation designed by Hariri Pontarini Architects. As one of the largest museums in North America and the largest in Canada, the architects have transformed its ground floor and the Bloor Street entrance, introducing an interior plaza “pulsing with activity and artistic expression.” Dubbed OpenROM, this multifaceted endeavor aims to “open the museum up even more to the public,” revolutionizing the museum experience and making it more accessible for the 1.4 million annual visitors of the cultural institution.

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The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.

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Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.

Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.

Qatar Museums has released renderings showcasing the future Lusail Museum, designed by Swiss architecture office Herzog & de Meuron. The museum will house one of the largest collections of Orientalist art, exploring the movement of people and ideas across the globe and over the centuries. The new institution also strives to provide opportunities for high-level study for scholars, academics, policymakers, and curators. Consequently, the building is conceived as “a vertically layered souk, or miniature city contained within a single building,” aiming to encourage conversations, debates, and meditation on global issues.

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RSHP has unveiled the urban and architectural design for the new Bayeux Tapestry Museum. The intervention is created to house and display the Bayeux Tapestry, an embroidered cloth measuring 70 meters in length and depicting the events leading up to the Norman Conquest of England in 1066 and culminating in the Battle of Hastings. The almost 1000 years-old artifact is also included in UNESCO’s “Memory of the World” list. The project proposes a contemporary extension of the 17th-century seminary where the Musée de la Tapisserie de Bayeux is located.

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In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.

This curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the fusion of art, technology, and innovation within the realm of museums and cultural centers. Among the featured designs are works from renowned architectural offices, including CAA architects, NextOffice – Alireza Taghaboni, and Fentress Architects, along with several emerging firms. Ranging from a sculptural art museum in Dubai to a local cultural and recreational complex in Senegal, or an immersive science museum in Rome, Italy, this diverse compilation strives to showcase the spectrum of scales and purposes of cultural institutions.

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The new building as part of the Palmer Museum of Art at Penn State is set to open its doors on June 1, 2024. The new 6,600 sqm building is situated in The Arboretum at Penn State, intended to enhance accessibility and offer a new range of amenities while doubling the space of the current gallery to host a growing collection of more than 10,000 pieces. Designed by Allied Works and landscape architect Reed Hilderbrand, the new space features 20 art galleries, improved educational and event spaces, a museum store, a café, a sculpture path, and outdoor terraces.

Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.

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The Shenzhen Museum of Contemporary Art and Urban Planning in China (MoCAUP) has recently opened an exhibition titled “Ma Yansong: Landscapes in Motion.” This retrospective showcases the work of MAD Architects, led by Ma Yansong, Dang Qun, and Yosuke Hayano, spanning nearly two decades and 52 projects. Running until December 17, the display is envisioned as a platform for imaginative exploration of future urban life.

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Ennead Architects and KSS Architects have just unveiled the design for the Jean & Ric Edelman Fossil Park Museum of Rowan University. The museum is located at the heart of a 65-acre fossil park in Mantua Township, New Jersey. Spanning 44,000 square feet, the program focuses on exploration, preservation, and education. Moreover, it allows citizens and scientists to have the unique opportunity to participate in fossil excavation alongside research actively. The visitor and the researchers will study the events leading to the fifth mass extinction, all within the confines of a 66-million-year-old former quarry. The project is scheduled to open its doors to the public in early 2024, positioning itself as a symbol of scientific exploration and environmental stewardship.

In 2018, OMA opened the Fondazione Prada in Milan, Italy, housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on Milan’s southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer Bahaa Ghoussainy captured the infamous structure in his new architectural photo series.

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Powerhouse Parramata, Sydney’s new largest museum, has been announced to open in early 2025. The museum group overseeing the project sits at the intersection of the arts, design, science, and technology industries. Designed by Moreau Kusunoki in collaboration with local practice Genton, the museum will be located on the south bank of the Parramatta River in Western Sydney, acting as the largest cultural infrastructure project in the Australian capital city since the Sydney Opera House.

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Estonian studio OÜ Kolm Pluss Üks won the international architecture competition for the Tartu Cultural Center. Selected out of a total of 107 proposals, the winning project titled “Paabel” is set to become the cultural heart of the city center, capturing the competition's main goal and developing an outdoor space solution. Kadarik Tüür Arhitektid OÜ took the second position for their design of “Tarte Tatin”, while the third place went to Denmark-based architectural studio Atelier Lorentzen Langkilde Aps.

Michael Rotondi’s buildings—museums, civic centers, education facilities, monasteries, restaurants, and residences—evoke kinetic mechanisms that fold, hinge, twist, and split open. They express the architect’s feelings, thinking, and mood at the time they had been designed, and, on some occasions, during their assembly and construction. Rotondi was born in 1949 in Los Angeles.

He established his RoTo Architects, a research-based firm in his native city, in 1991 after co-heading Morphosis for 16 years with Thom Mayne. Parallel to his practicing career, the architect has been teaching and lecturing at SCI-Arc, Southern California Institute of Architecture, which he co-founded in 1972, led its graduate program from 1978-1987, and was the school’s second director for a decade from 1987 to 1997.

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The Museum of West African Art (MOWAA) has just unveiled a 20-acre project for a Creative District in the historic center of Benin City in Edo State, Nigeria. MOWAA, in collaboration with Adjaye Associates, is planning to establish a comprehensive environment dedicated to the artistic and cultural realms of the past, present, and future. The space provides support and collaboration opportunities for young professionals in the creative and cultural fields while also fostering partnerships with institutions throughout West Africa. At the heart of the project is the Creative District’s role in contributing to economic growth and development.

The Royal Commission for AlUla has appointed Lina Ghotmeh and Asif Khan as the lead architects for two upcoming museums to be added to the cultural oasis of AlUla, a destination in North-West Saudi Arabia displaying 7,000 years of continuous human history. Ghotmeh is set to design the contemporary art museum to house works by artists from the Red Sea, the Arabian Sea, and the Eastern Mediterranean in dialogue with their contemporaries from across the world. Asif Khan will design the Museum of the Incense Road, the first museum dedicated to the millennia-old network of major land and trading routes. The architects have been selected following an international competition.