Western philosophical tradition has long placed culture in opposition to nature. This dual thinking has shaped the canon of the sciences and humanities, and architecture was not left aside. Under that logic, everything that is not human exists to be exploited by them and is named "natural resource". This extractivist mindset has shaped the development of many parts of the world in the last centuries, leaving deep—sometimes irreparable—marks on the planet. Nevertheless, other ways of living have always existed. From West-African religious practices based on animism to the herbal sciences of the masters of the Sacred Jurema in Brazil; from indigenous communities in India whose life rhythm mirrors the monsoons, to the Arctic's Inuits who can see dozens of shades of white: humans and nature bear no distinction, what exists is life.
Contemporary authors bring this discussion to the realms of philosophy and, more specifically, architecture. Donna Haraway, Antônio Bispo dos Santos, Achille Mbembe, and Beatriz Colomina are only a few whose work has helped expand the narrow Western perspective, shedding light on alternative ways of living together—with other humans and more-than-humans—on this planet.
"My only concern is that my work must have a positive impact on the communities in which it is embedded," states Francis Kéré in his book Francis Kéré: Building Stories. His own life story, the context in which he was raised, and the experiences he has lived through all shape his approach to architecture. It is a commitment that extends to people and the places they call home—one that values materiality, collective learning, and the exchange of knowledge. Discovering the stories behind projects such as Primary School in Gando and Naaba Belem Goumma Secondary School inspires reflection on how to design spaces that truly serve humanity.
Francis Kéré's story begins in a village in sub-Saharan Africa and extends across many places. Gando was the setting of his first education, where he absorbed the essence and principles that later shaped the core values of his career alongside influences from other cultures. The structure of Gando is formed by different families who organize themselves, according to established customs, within courtyards scattered across the savanna. Growing up in this remote village in the Burkina Faso savanna fosters a strong sense of community, made tangible by the understanding that each resident of every courtyard is part of the life of the whole.
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Courtesy of Katia Sei Fong, Ken Sei Fong, Luis Sei Fong
The national exhibition of Uruguay at the 2025 Venice Architecture Biennale, titled "53.86% Uruguay, Land of Water," explores the intrinsic relationship between architecture, territory, and water. Curated by architects Katia Sei Fong and Ken Sei Fong, along with visual artist Luis Sei Fong, the exhibition proposes that we may be entering the age of water, the "Hydrocene", and that the way humanity manages and conserves this resource will shape its future. In this context, the project highlights that Uruguay's maritime territory (53.86%) is larger than its land territory. Water, therefore, is not only a natural resource but a fundamental element of the country's history and culture, essential to its development.
Marie Combette and Daniel Moreno Flores founded La Cabina de la Curiosidad in 2019, a studio focused on architecture and territory based in Quito, Ecuador. Their architectural approach is based on extensive fieldwork, with an urban and territorial perspective that prioritizes the use of available resources, water management, and recycling. They use drawing and mapping as essential tools to materialize their ideas and transform them into spaces. The name of the studio evokes a "trunk" turned into a cabin full of curiosities that invite exploration of various possibilities. This trunk is nourished by everyday experiences, derived from simple interactions with the city or the environment, which triggers a creative process continually fed by experimentation and daily discovery, unafraid of the unknown.
Spain, with its vast territory and notable diversity of landscapes, has been a reference point in the development of external infrastructures, both in urban and rural areas. Tourism has played a key role in this process, focusing on creating spaces that maximize the enjoyment of the natural environment and integrating local landscapes into urbanized areas. The construction of these infrastructures has had two main aspects: the adaptation of cities for both their residents and tourists and the development of rural or coastal areas, where nature is the main attraction. This has led to interventions ranging from creating waterfront promenades, viewpoints, and natural parks, to urbanization projects in previously untouched areas. Furthermore, urban growth has driven the creation of green infrastructures such as botanical gardens, ecological trails, and reserves that aim to protect the environment while being sustainably open to the public.
Within the framework of implementing green infrastructure projects for water management in the Basin of Mexico, utilizing existing public spaces, La Quebradora Water Park emerges as the first proposal for hydro-urban acupuncture. The project, developed by the team from the Institute of Social Research at UNAM, coordinated by Manuel Perló Cohen and Loreta Castro Reguera Mancera, aims to transform the site's infiltration into a landmark of good water management, public space creation, and strengthening of the social fabric through four levels: infrastructure, park, city, and viewpoint. Addressing part of the water and social issues facing the area, the proposal transforms urban infrastructure into a public and recreational space for the community in a densely populated area with scarce public spaces.
Noemí Blager and Tapio Snellman are presenting a new video installation at the Architectural Association (AA) in London. The exhibition titled “A Lot with Little” set out to explore and showcase how architects can employ a more economical use of resources to create architectural works that are both sensible and sustainable. Previously shown in Germany, Switzerland, China, Czechia, the US, and the Venice Architecture Biennale, this London debut aims to highlight the global relevance of resource-efficient architectural practices. The exhibition is now on view at the AA School in London from April 26, until May 30, 2024.
Madagascar is an island nation off the southeast coast of Africa that, despite its lush vegetation and unique flora and fauna, grapples with formidable environmental challenges, from rising sea levels to the excessive exploitation of natural resources. Joan Razafimaharo is an architect deeply involved in sustainability, climate change, and adaptation efforts in Madagascar and the broader Indian Ocean region. Razafimaharo is also one of only about sixty architects in the country, serving a population of 28 million.
Recently I spoke to her about environmental activism in the face of climate change, curbing the exploitation of natural resources, the role of architects in resource-scarce societies, and empowering women in isolated areas. The interview, originally conducted in French, has been translated and edited for length and clarity.
https://www.archdaily.com/1011140/how-madagascar-is-confronting-climate-changeMathias Agbo, Jr.
Of Palm / Abdalla Almula. Image Courtesy of Abdalla Almula
Happening between November 7 and 12, Dubai Design Week 2023 brought together over 500 designers, architects, and creative practitioners to explore the relationship between traditional practices and emerging technologies in an effort to create more environmental sustainability and design-led social impact solutions. As one of the most important cultural events in the Middle East, the festival brings forward a wide offering of installations, artworks, and immersive experiences, all exploring important topics of eco-friendly design.
This year’s interventions and installations drew inspiration from the region’s natural ecosystems as well as local traditions and craftsmanship while merging these practices with innovative technologies, biomaterial explorations, and reimagined ways of practicing. Across the interventions, a recurring motif emerges, that of celebrating Middle Eastern heritage and engaging productively with vernacular practices.
Krenak has a unique talent for transforming his life experiences into profound concepts, which he conveys through oral and poetic language. His worldview blurs the boundaries between landscapes, human beings, animals, rivers, and mountains. He strongly advocates for a reassessment of our lifestyle, emphasizing the importance of 'breaking up the ground to allow the channeled waters to resurface.' On September 5th, he participated in a discussion in São Paulo during the Archtrends Summit 2023, organized by Portobello. During this event, he shared his insights on topics such as cities, forests, and the future of our planet.
Don Davis (American, born 1952). Stanford torus interior view. 1975. Acrylic on board, 17 × 22″ (43.1 × 55.9 cm). Commissioned by NASA for Richard D. Johnson and Charles Holbrow, eds., Space Settlements: A Design Study (Washington, DC: NASA Scientific and Technical Information Office, 1977). Illustration never used. Collection Don Davis. Image Courtesy of The Museum of Modern Art
The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.
There are many ways to define architecture, from the most technical to the most poetic. It uses many aspects within its context: space, program, tectonics, and gesture, which refers to the stroke, the drawing, and the design. Perhaps the quick sketch that comes to mind when talking about gesture is that of shelter: a cut or elevation, with human scale, of vertical enclosures and coverings.
The conception of architecture, understood since modernity, emphasizes permanence. The durability of tectonic construction can be manifested in various ways. However, what does it mean to associate architecture with ephemerality? And what happens when the idea of permanence is connected to transience? The Shikinen Sengu ceremony in Japan may help provide answers to these questions.
As the challenges posed by climate change increase in number and intensity, it also heightens the need to find sustainable building practices that connect to ecosystems and livelihoods rather than harm them. While often overlooked in the search for innovation, vernacular architecture can offer answers to contemporary issues. This type of architecture not only relies on readily available locally sourced materials but also on indigenous knowledge of local conditions like sun orientation, wind patterns, ventilation needs, and the behavior of materials in time. Dr. Sandra Piesik, director and architect of 3 ideas, and founder of HABITAT Coalition, explores this potential in her newest book, 'Habitat: Vernacular Architecture for a Changing Climate.'
Sodium chloride, most commonly known as salt, is everywhere. Ancient in its uses and abundant in nature, it preserves local ecosystems, de-ices roads, is vital in a variety of industrial processes, and is likely sitting on your kitchen table as a seasoning for your meals. Today, it is attributed relatively little value –considering it used to be as worthy as gold–, and unlike other nature-derived alternatives such as algae or mycelium, there doesn’t seem to be enough research and interest around all of its physical, mechanical or aesthetic properties. And yet it is a material with infinite, extraordinary potential. Apart from its life-supporting qualities, salt is affordable, easily available, antibacterial, resistant to fire, can store humidity and heat, and is great at reflecting and diffusing light.
